Crick SmithIn 2002 Crick Smith started an ongoing programme of work at St. Pancras Chambers in London with an initial survey of all levels to provide an insight into the hierarchy of the building. This initial research defined seven significant areas, providing a representation of the principle historic interiors.

Within each significant historic interior a full architectural paint research exercise (including archival research) was conducted followed by a programme of informed on-site uncovering. Before the main contractor arrived on site Crick Smith conducted a full photographic survey of all historic features in the building and a spectrophotometer was used to quantify and define accurate NCS historic colour references for the seven significant areas to allow for the authentic reproduction of colours during redecoration. During this process a number of examples of historic wallpapers were uncovered and rescued from the site, which are now held in the Crick Smith historic wallpaper archive at the University of Lincoln.
During the summer of 2007 a devastating fire ripped through the entrance hall of St. Pancras Chambers, during restoration works to the building. Prior to the fire the entrance hall was decorated with a plain ceiling overlying an earlier ornate stencilled design. An elaborate painted frieze still decorated the walls extending approximately two metres down from the ceiling cornice, with the plaster cornice and ceiling roses ornately painted and partly gilded.
As a result of the fire this area had incurred extensive heat and smoke damage, leaving the ceiling and walls in an extremely deteriorated and blackened state. All the painted surfaces were covered in a thick layer of soot deposits, with many areas left blistered by the heat.

In 2008 Crick Smith were contracted to reveal and map out the ornate stencil design to the ceiling and walls and present our client with an accurate pre-fire image of the decorative scheme, allowing for later reinstatement. Initially a grid network was defined and marked out onto all surfaces, and using lighting techniques the faint outline of the stencilled designs marked out in white chalk. Solvents were used to reveal the historic decorative scheme in those areas where the paint had survived the ravages of the fire. All surfaces were then faithfully recorded photographically in 1 metre squares and combined using image processing software. This data was used, together with archival evidence to rebuild the outline of the entire early stencilled scheme to both the walls and ceiling.
We finally provided our client with scale drawings and NCS colour references for this elaborate decorative scheme, allowing for its complete replication at a later date.
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